Congratulations! You belong to the Dayton Creative Syndicate, which means you appreciate things like “networking” and “professional development.” But you take it a step further and be a guiding force for what is unarguably the coolest professional organization. Become a committee member and use your skills and interests to make DCS the best group this side of the Milky Way. Choose from these fantabulous committees:

• Communications
  • Contribute to various print communication forms, such as the blog, e-mail newsletter and public relations.
• Education
  • Hone the skills of you and your fellow DCS-ians. Help set up discussion panels, group forums, portfolio reviews and other opportunities for ongoing educational opportunities for students and professionals.
• Visual Media
  • Shutterbugs and film buffs have an opportunity to show their work while promoting DCS. Photographers and videographers are sought to record activities and events.
• Membership
  • Help find new ways of adding new DCS friends and keep our current members engaged.
• Public Service
  • Use your creative powers for good and assist worthy local groups with promoting themselves or an event.
• Programming
  • Pitch in your two cents for special program topics, pitch names for guest speakers, and give your input on major events.
• Dayton Adobe Users Group
  • Participate in the continuing education concentrating on Adobe's Master Suite Collection.

• Creative Crux
  • Contribute to this unique editorial feature that showcases the creative talents of Dayton. Read up at http://creativesyndicate.org/blog/creative-crux

• Social
  • Plan happy hours, bowling nights, reality TV watch parties or whatever fun activity you wouldn’t mind sharing with a couple hundred of your closest creative pals.

Learn more at http://creativesyndicate.org/get-involved/committees

Participating in a committee not only is a great way to share your ideas and help forge the future of DCS, it makes for a nice, shiny bullet on the ol’ resume. Nothing says “demonstrable leadership qualities” like being on a committee of a professional organization!

Interested? Send us a message at This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Know someone who might be a good fit? Forward this information and share the DCS love.

The regional marketing and design community is grateful for the School of Advertising Art and the excellent design professionals it produces evey year. I was a member of the first graduating class of SAA some 23 years ago. As a former graduate and Vice President of DCS I was honored to be invited to address this year's graduates. My remarks:

So let me start with a little story. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and asks, “Morning, boys. How’s the water?” The two young fish swim on for a bit, and then eventually one of them looks over at the other and asks, “What the hell is water?” The point of that story is merely that the most obvious, important things in life are often the ones that are hardest to see and talk about. So as you continue on life’s Journey, make sure you take the time to enjoy what’s going on around you. Greetings and congratulations to SAA’s graduating class of 2010, enjoy your day kids, you’ve earned it.

I’m honored to be chosen as the commencement speaker for this the 25th anniversary of SAA, I would like to extend a special thanks to Tim and Linda Potter, the class of 1986 and the entire staff of SAA past and present. This is quite an honor for a shy kid who once was scolded by Paul Behrens, Linda’s father who taught figure drawing at the time, for emasculating the male models. Paul was quite the stickler for detail. Thank you SAA, you are an integral part of my success. As part of the first graduating class 23 years ago, I was sitting right out there where you are, nervous and excited about what lay ahead. Actually I’m a lot more nervous today then I was back then, so feel free to sweat because I sure as heck am.

But this isn’t about me it’s about you. And as I reflect on the last 25 years of my life, I thought I would share not my accomplishments but some of the lessons I accidentally learned along the way.

LOVE HARD AND MEAN IT.(not nearly as provocative as it sounds)

First, love what you do and do what you love. Technology has become a great equalizer in our world. True talent is much tougher to recognize. It’s much harder to stand out amongst your peers. The playing field has effectively been leveled. And we’re part of a shrinking world where everything is becoming outsourced or automated. Sounds kind of bleak, but the good news is that the jobs that can’t be automated are the ones that require creativity, passion, imagination--jobs that can only be done by people who love what they do.

Second, work hard. Once you’ve discovered your true love, pursue it with vigor, passion and, of course, hard work. Work hard at your craft. It’s what will separate you from everyone else, talent and a great portfolio are just the first steps the real measures are how much you’re willing to give or sacrifice for your love. What we do isn’t easy. Each of our designs is part of us. They’re like our children, and believe me you don’t want someone telling you that your baby’s ugly. So the harder you work at what you do, the more rewarding the results.

Third, mean it. You can’t just say you’re going to love what you do and work hard at it to be successful--you have to mean it. Talent gets you in the door but determination keeps you there. It’s what makes you do the design one more time to make it perfect. It's what keeps you from settling for a job you don’t want. It’s that “I’ll show you!” attitude that drives parents and teachers crazy, but it's what every successful creative has. Start low and reach high: You can fail without being defeated, as long as you have the determination never to give up.

I guess what I have been trying to say here this morning can be summed up by the old saying that “happiness is a journey, not a destination.” Bringing joy and passion to your work is not what you get to do when you get to the top. It’s what gets you there. If I have had any success in this business since I was sitting down there where you are 23 years ago, it’s because I found a way to enjoy the journey as much as the destination. Life’s way too short to sit around and watch it go by. Sometimes like the fish in the story you have to stop and look around to see the water. Believe me I’ve had my failures over the years but more often than not I found ways to learn from, and enjoy, some part of each job. With that, I’ll leave you with a quote from Mark Twain: "Always work like you don’t need the money. Always fall in love like you’ve never been hurt. Always dance like nobody is watching. And always -- always -- live like it’s heaven on earth."

Thank you.

Design wunderkind Chuck Anderson dishes about his success
During a recent DCS speaking engagement, Chuck Anderson, of NoPattern fame, discussed some of the steps he took to get from post-secondary postponement to one of the industry's most sought-after design studs.

"Opportunity just happens, so you have to be prepared when it does," Anderson said. "I wish I could say may career was meticulously planned out, but it wasn't." While deliberating his options after graduating from high school with no real career ambitions outside of "I love to draw," Anderson worked for then-small-time T-shirt company Threadless. But shipping shirts wasn't enough for Anderson. "I remember the point at which I new I wanted more out of life," he recalled. "I was driving around this pink and black Geo Tracker, and I remember thinking 'I want something better than this. It doesn't have to be expensive, just not this Tracker!' And I knew I needed to do something to get me out of that Tracker."

Through his diligence at his job and his employers personal contacts, he landed his first design gig -- creating fliers for the chic Chicago club Smart Bar. The promotion was a hit, and Anderson knew he was on to something. "I hit the library, poured over books about design and tried to teach myself how to use software like (Adobe) Photoshop." What began as a lifelong love of drawing and amateur photography took on a new dimension with Photoshop. "My goal for drawing was always 'how can I weird out my parents?'" Anderson said. "With the software, I discovered a whole new kind of weird."

That brand of "weird" went on to help Anderson snag more freelance jobs he scored from cold calls and e-mails, like ESPN magazine. He worked those contacts to land more work, and suddenly, the kid with a fuzzy future was sitting on top of a design empire with high-profile clients like Atlantic Records, Reebok and Microsoft.

Anderson had tips for his audience with regard to breaking into the market. He encourages people to take risks and not be intimidated by making cold calls or sending e-mails. "The worst that can happen is they'll say no, and then you're no worse off than before you made the call. But if it works..." He also cautioned against being too picky about jobs. "One of the biggest mistakes an artist can make is to think they're too good for a job," he said, adding that even if you think a job might be "beneath you," you never know who's connected to whom and where one "insignificant" job might lead.

Getting specific direction from a client is another route Anderson suggested on the road to job satisfaction. "Getting bad direction -- especially from people I like -- is just hte worst," he lamented. "Make sure you get details -- what is this for? Do you have specific dimensions? What's your goal for this?"

His top three tips for the evening include:

Be assertive. You're your own marketing ambassador, so be confident in your work.
Have support. Whether it's a friend, family member or spouse who can be there for moral support, for inspiration, or just to act as a sounding board, surround yourself with good energy.
Keep the creative fires burning. Keep exploring and every now and then, create something or just goof around for fun. It's cathartic and can revive your love for design when you start to feel burned out. New ideas can happen at any time, so be prepared.

Through effort, ethic and taking chances, you, too, can find yourself at the design apex. "One of the best rewards is seeing your hard work out there in the real world," Anderson said. "Half my motivation for doing a job is to show people my work -- show them what goes on in my head!"